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Love Actually

Love Actually

Comedy · Romance · Drama · 2003

Eight very different couples deal with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London.

Movie details

Love Actually

“Love actually is all around.”

2003 Comedy · Romance · Drama 2h 15m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Eight very different couples deal with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Love Actually?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Falling in Love

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Drama · 1984

During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train home and have a good time together. Although both are married and Frank has two little kids, they meet more and more often, their friendship becoming the most precious thing in their lives.

Notting Hill

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The Holiday

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Where it lives

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Names above the title

The people responsible.

Directed by

Richard Curtis

Written by

Richard Curtis

Hugh Grant

Hugh Grant

The Prime Minister

Alan Rickman

Alan Rickman

Harry

Emma Thompson

Emma Thompson

Karen

Liam Neeson

Liam Neeson

Daniel

Martine McCutcheon

Martine McCutcheon

Natalie

Colin Firth

Colin Firth

Jamie Bennett

Bill Nighy

Bill Nighy

Billy Mack

Court is in session

Put Love Actually on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.