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Bring Me Home

Bring Me Home

Drama · Thriller · Mystery · 2019

Jung-yeon receives a tip-off that her son who went missing six years ago is in a fishing village. Local officers get in her way, trying to cover up a secret that might be related to her case.

Movie details

Bring Me Home

“A search that knows no limits.”

2019 Drama · Thriller · Mystery 1h 48m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

1.6K votes

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Jung-yeon receives a tip-off that her son who went missing six years ago is in a fishing village. Local officers get in her way, trying to cover up a secret that might be related to her case.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bring Me Home?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Book of Henry

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Searching

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Private Eye

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The story takes place in occupied Korea at the start of the 20th century, where a young student in medicine discovers the murdered body of the son of a government official. Being scared of being accused, he decides to hire Hong Jin-ho (a detective) to help him find the murderer before the police accuse him of the murder.

The Caveman's Valentine

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Where it lives

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Names above the title

The people responsible.

Directed by

Kim Seung-woo

Written by

Kim Seung-woo

Lee Young-ae

Lee Young-ae

Jung-yeon

Yoo Jae-myung

Yoo Jae-myung

Senior Police Officer Hong

Park Hae-joon

Park Hae-joon

Myeong-guk

Lee Won-keun

Lee Won-keun

Seung-hyun

Jeong Ae-hwa

Jeong Ae-hwa

Mr. Song's Grandmother

Heo Dong-won

Heo Dong-won

Myung-deuk

Baek Joo-hee

Baek Joo-hee

In-sook

Court is in session

Put Bring Me Home on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.