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Killing Zoe

Killing Zoe

Action · Crime · Drama · 1993

Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.

Movie details

Killing Zoe

“We go in. We get what we want. We come out.”

1993 Action · Crime · Drama 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Killing Zoe?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Roger Avary

Written by

Roger Avary

Eric Stoltz

Eric Stoltz

Zed

Julie Delpy

Julie Delpy

Zoe

Jean-Hugues Anglade

Jean-Hugues Anglade

Eric

Tai Thai

Tai Thai

François

Bruce Ramsay

Bruce Ramsay

Ricardo

Kario Salem

Kario Salem

Jean

Salvator Xuereb

Salvator Xuereb

Claude

Court is in session

Put Killing Zoe on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.