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Going for Gold

Going for Gold

Drama · Family · 2018

Seventeen year old, Emma joins a high school cheerleading team when she moves to Australia with her dad who is a former Air Force Officer.

Movie details

Going for Gold

“When the stakes are this high, they’ll get one chance of...”

2018 Drama · Family 1h 29m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Seventeen year old, Emma joins a high school cheerleading team when she moves to Australia with her dad who is a former Air Force Officer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Going for Gold?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where the Red Fern Grows

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Moondance Alexander

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Drama · 2007

Curiously named teen Moondance Alexander lives with her eccentric mother, and is faced with another uneventful summer until she discovers a lost pinto pony named Checkers. Although Moondance returns the horse to his rightful owner, the gruff and mysterious Dante Longpre, she is convinced that Checkers is a champion jumper in disguise and is determined to help him realize his full potential.

Where it lives

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Names above the title

The people responsible.

Directed by

Clay Glen

Written by

Clay Glen

Kelli Berglund

Kelli Berglund

Emma

Emily Morris

Emily Morris

Hannah

J

Jo Stone

Susan

Ruth Fallon

Ruth Fallon

Coach Caitlyn

Jess Kuss

Jess Kuss

Mia

E

Elysia Markou

Abi

C

Claudia Bonifazio

Amahli

Court is in session

Put Going for Gold on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.