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The Mitchells vs. the Machines

The Mitchells vs. the Machines

Animation · Adventure · Comedy · 2021

A quirky, dysfunctional family's road trip is upended when they find themselves in the middle of the robot apocalypse and suddenly become humanity's unlikeliest last hope.

Movie details

The Mitchells vs. the Machines

“Saving the world can be a trip.”

2021 Animation · Adventure · Comedy 1h 50m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

A quirky, dysfunctional family's road trip is upended when they find themselves in the middle of the robot apocalypse and suddenly become humanity's unlikeliest last hope.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mitchells vs. the Machines?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Mike Rianda

Written by

Jeff Rowe · Mike Rianda

Abbi Jacobson

Abbi Jacobson

Katie / Dog Cop (voice)

Danny McBride

Danny McBride

Rick (voice)

Maya Rudolph

Maya Rudolph

Linda (voice)

Mike Rianda

Mike Rianda

Aaron / Furbies / Talking Dog / Wifi Enthusiast (voice)

Eric Andre

Eric Andre

Mark (voice)

Olivia Colman

Olivia Colman

PAL (voice)

Fred Armisen

Fred Armisen

Deborahbot 5000 (voice)

Court is in session

Put The Mitchells vs. the Machines on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.