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Master of the Flying Guillotine

Master of the Flying Guillotine

Fantasy · Action · Drama · 1976

A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates: a Thai boxer, a yoga master, and a kobojutsu user.

Movie details

Master of the Flying Guillotine

“It's A Mean Machine - Cuts Your Head Off Clean!”

1976 Fantasy · Action · Drama 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates: a Thai boxer, a yoga master, and a kobojutsu user.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Master of the Flying Guillotine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jimmy Wang Yu

Written by

Jimmy Wang Yu

Jimmy Wang Yu

Jimmy Wang Yu

Liu Ti Lung / The One-Armed Boxer

Doris Lung Chun-Erh

Doris Lung Chun-Erh

Wu's daughter

Sham Chin-Bo

Sham Chin-Bo

Thai boxer / Nai Men

Lung Fei

Lung Fei

Yakuma

W

Wong Wing-Sang

Indian fighter

Hsueh Han

Hsueh Han

Tournament referee

Lau Kar-Wing

Lau Kar-Wing

Fighter with 3-section staff

Court is in session

Put Master of the Flying Guillotine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.