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Christine

Christine

Drama · Romance · 1958

Vienna, 1906. A passionate love story develops between Franz Lobheiner and the young Christine. Lobheiner is, however, currently seeing the married Baroness von Eggersdorf. Upon learning of his wife's infidelity, the Baron von Eggersdorf provokes a duel with Lobheiner. But the former is no longer a real threat to the Baron. Lobheiner is now passionately in love with Christine. How will this love quartet end?

Movie details

Christine

1958 Drama · Romance 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Vienna, 1906. A passionate love story develops between Franz Lobheiner and the young Christine. Lobheiner is, however, currently seeing the married Baroness von Eggersdorf. Upon learning of his wife's infidelity, the Baron von Eggersdorf provokes a duel with Lobheiner. But the former is no longer a real threat to the Baron. Lobheiner is now passionately in love with Christine. How will this love quartet end?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Christine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Pierre Gaspard-Huit

Romy Schneider

Romy Schneider

Christine Weiring

Alain Delon

Alain Delon

Franz Lobheiner

Jean-Claude Brialy

Jean-Claude Brialy

Theo Kaiser

François Chaumette

François Chaumette

Wimmer

Jacques Duby

Jacques Duby

Joseph Binder

Sophie Grimaldi

Sophie Grimaldi

Mizzi Schlager

Jean Davy

Jean Davy

Colonel of the Dragons

Court is in session

Put Christine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.