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Moss

Moss

Drama · Thriller · Crime · 2010

A city boy visits a remote village to find out the reason behind his father's strange death. The locals are watching his every move and are eager to see him leave. As he starts to investigate, the village's sinister secrets begin to unravel.

Movie details

Moss

“A secret buried underneath.”

2010 Drama · Thriller · Crime 2h 42m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

A city boy visits a remote village to find out the reason behind his father's strange death. The locals are watching his every move and are eager to see him leave. As he starts to investigate, the village's sinister secrets begin to unravel.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Moss?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Winged Creatures

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A psychotic man opens fire in a diner, murdering numerous people before killing himself. The survivors struggle in different ways following this horrendous event: a doctor doubts his own instincts and elects to use an experimental medical procedure on his wife, while a gambler believes he's on a lucky streak. A waitress begins engaging in promiscuous sex, and a young girl whose father is among the dead gains unexpected fame.

Where it lives

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Names above the title

The people responsible.

Directed by

Kang Woo-suk

Written by

Jung Ji-woo

Park Hae-il

Park Hae-il

Ryoo Hae-gook

Jung Jae-young

Jung Jae-young

Cheon Yong-deok

Yu Jun-sang

Yu Jun-sang

Park Min-wook

Yu Seon

Yu Seon

Lee Yeong-ji

Kim Joon-bae

Kim Joon-bae

Ha Seong-gyoo

Yoo Hai-jin

Yoo Hai-jin

Kim Deok-cheon

Kim Sang-ho

Kim Sang-ho

Jeon Seok-Man

Court is in session

Put Moss on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.