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Dracula Untold

Dracula Untold

Horror · Action · Fantasy · 2014

Vlad Tepes is a great hero, but when he learns the Sultan is preparing for battle and needs to form an army of 1,000 boys, he vows to find a way to protect his family. Vlad turns to dark forces in order to get the power to destroy his enemies and agrees to go from hero to monster as he's turned into the mythological vampire, Dracula.

Movie details

Dracula Untold

“Every bloodline has a beginning.”

2014 Horror · Action · Fantasy 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Vlad Tepes is a great hero, but when he learns the Sultan is preparing for battle and needs to form an army of 1,000 boys, he vows to find a way to protect his family. Vlad turns to dark forces in order to get the power to destroy his enemies and agrees to go from hero to monster as he's turned into the mythological vampire, Dracula.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dracula Untold?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Blade forms an uneasy alliance with the vampire council in order to combat the Reapers, who are feeding on vampires.

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Names above the title

The people responsible.

Directed by

Gary Shore

Written by

Matt Sazama · Burk Sharpless

Luke Evans

Luke Evans

Vlad Tepes / Dracula

Sarah Gadon

Sarah Gadon

Mirena / Mina Murray

Dominic Cooper

Dominic Cooper

Mehmed II

Art Parkinson

Art Parkinson

Ingeras

Charles Dance

Charles Dance

Master Vampire

Diarmaid Murtagh

Diarmaid Murtagh

Dimitru

Paul Kaye

Paul Kaye

Brother Lucian

Court is in session

Put Dracula Untold on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.