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Ride Like a Girl

Ride Like a Girl

Drama · 2019

The story of Michelle Payne, the first female jockey to win the Melbourne Cup.

Movie details

Ride Like a Girl

“Never give up”

2019 Drama 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

The story of Michelle Payne, the first female jockey to win the Melbourne Cup.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ride Like a Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Christy Martin never imagined life beyond her small-town roots in West Virginia—until she discovered a knack for punching people. Fueled by grit, raw determination, and an unshakable desire to win, she charges into the world of boxing under the guidance of her trainer and manager-turned-husband, Jim. But while Christy flaunts a fiery persona in the ring, her toughest battles unfold outside it—confronting family, identity, and a relationship that just might become life-or-death.

Richard Jewell

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War Horse

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Big George Foreman

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Where it lives

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Names above the title

The people responsible.

Directed by

Rachel Griffiths

Written by

Elise McCredie · Andrew Knight

Teresa Palmer

Teresa Palmer

Michelle Payne

Sam Neill

Sam Neill

Paddy Payne

Sullivan Stapleton

Sullivan Stapleton

Darren Weir

Magda Szubanski

Magda Szubanski

Sister Dominique

Genevieve Morris

Genevieve Morris

Joan Sadler

S

Stevie Payne

Stevie Payne

G

Gryffin Morrison

Young Stevie Payne

Court is in session

Put Ride Like a Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.