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A Very Country Christmas

A Very Country Christmas

Drama · TV Movie · Romance · 2017

Jeanette Williams is a busy single parent, trying to make the best life for her and her daughter. With no time to follow current celebrity gossip, Jeanette is unaware of when a Country superstar returns to their small town to escape the intrusive paparazzi and the chaos of fame. A chance meeting between the two have them both letting their guards down and opening their hearts to the possibility of romance.

Movie details

A Very Country Christmas

2017 Drama · TV Movie · Romance 1h 23m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Jeanette Williams is a busy single parent, trying to make the best life for her and her daughter. With no time to follow current celebrity gossip, Jeanette is unaware of when a Country superstar returns to their small town to escape the intrusive paparazzi and the chaos of fame. A chance meeting between the two have them both letting their guards down and opening their hearts to the possibility of romance.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Very Country Christmas?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Justin G. Dyck

Written by

Keith Cooper

Greyston Holt

Greyston Holt

Zane

Bea Santos

Bea Santos

Jeannette

Greg Vaughan

Greg Vaughan

Billy

Deanna Kay Carter

Deanna Kay Carter

Jolene

Allison Hossack

Allison Hossack

Suzanne

Michelle Morgan

Michelle Morgan

Mary

Soma Bhatia

Soma Bhatia

Monica

Court is in session

Put A Very Country Christmas on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.