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Genghis Khan

Genghis Khan

History · Drama · Adventure · 1965

This is the story of the shy Mongol boy Temujin who,during the 13th century, becomes the fearless Mongol leader Genghis Khan that unites all Mongol tribes and conquers India,China,Persia,Korea and parts of Rusia,Europe and Middle-East.

Movie details

Genghis Khan

“Only once in the furied history of adventure and conquest...did one man rule so vast an empire!”

1965 History · Drama · Adventure 2h 7m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

This is the story of the shy Mongol boy Temujin who,during the 13th century, becomes the fearless Mongol leader Genghis Khan that unites all Mongol tribes and conquers India,China,Persia,Korea and parts of Rusia,Europe and Middle-East.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Genghis Khan?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Henry Levin

Written by

Beverley Cross · Clarke Reynolds

Omar Sharif

Omar Sharif

Genghis Khan / Temujin

Stephen Boyd

Stephen Boyd

Yamuga

James Mason

James Mason

Kam Ling

Eli Wallach

Eli Wallach

Shah of Khwarezm

Françoise Dorléac

Françoise Dorléac

Bortei

Telly Savalas

Telly Savalas

Shan

Robert Morley

Robert Morley

Emperor of China

Court is in session

Put Genghis Khan on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.