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The Awakening of Motti Wolkenbruch

The Awakening of Motti Wolkenbruch

Comedy · 2018

The young Orthodox Jew, Motti Wolkenbruch, finds himself at a turning point. His beloved mother wants him to get married and presents one marriage candidate after the other. Unfortunately none of the woman pleases him, because they all look just like her. The situation gets even more complicated, when Motti secretly falls in love with the non-Jewish girl Laura, a so-called Shiksa.

Movie details

The Awakening of Motti Wolkenbruch

2018 Comedy 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

The young Orthodox Jew, Motti Wolkenbruch, finds himself at a turning point. His beloved mother wants him to get married and presents one marriage candidate after the other. Unfortunately none of the woman pleases him, because they all look just like her. The situation gets even more complicated, when Motti secretly falls in love with the non-Jewish girl Laura, a so-called Shiksa.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Awakening of Motti Wolkenbruch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Steiner

Written by

Thomas Meyer

Noémie Schmidt

Noémie Schmidt

Laura

Joel Basman

Joel Basman

Motti

Sunnyi Melles

Sunnyi Melles

Mrs. Silberzweig

Udo Samel

Udo Samel

Tate Moishe Wolkenbruch

Inge Maux

Inge Maux

Mame Judith Wolkenbruch

Alexander Seibt

Alexander Seibt

Lecturer

Oriana Schrage

Oriana Schrage

Dana Wolkenbruch

Court is in session

Put The Awakening of Motti Wolkenbruch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.