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Close Enemies

Close Enemies

Drama · Thriller · 2018

Driss and Manuel both grew up on the same council estate. An estate where the sense of belonging to your patch is much stronger than the sense of belonging to a country, a nation or a culture... Manuel has assimilated this belonging, and he has even benefited from it and built his life on it. Driss, meanwhile, has shunned it. They will both have to face up to the consequences of their decisions – because they will each have a price to pay…

Movie details

Close Enemies

2018 Drama · Thriller 1h 51m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Driss and Manuel both grew up on the same council estate. An estate where the sense of belonging to your patch is much stronger than the sense of belonging to a country, a nation or a culture... Manuel has assimilated this belonging, and he has even benefited from it and built his life on it. Driss, meanwhile, has shunned it. They will both have to face up to the consequences of their decisions – because they will each have a price to pay…

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Close Enemies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Oelhoffen

Written by

David Oelhoffen · Jeanne Aptekman

Matthias Schoenaerts

Matthias Schoenaerts

Manuel Marco

Reda Kateb

Reda Kateb

Driss, captain of the narcotics squad

Adel Bencherif

Adel Bencherif

Imrane Mogalia, aka 'Tonton'

Sofiane Zermani

Sofiane Zermani

Fouad

Sabrina Ouazani

Sabrina Ouazani

Mounia, Imrane's companion

Gwendolyn Gourvenec

Gwendolyn Gourvenec

Manon, Manuel's ex-companion

Nicolas Giraud

Nicolas Giraud

Rémi Rufo

Court is in session

Put Close Enemies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.