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Ferrari: Race to Immortality

Ferrari: Race to Immortality

Documentary · 2017

The late 1950s were known as golden years in the world of motor racing, champions were made and lost on a Sunday, and no losses were greater than those of Enzo Ferrari’s Scuderia. Based on Chris Nixon’s bestselling biography Mon Ami Mate, Ferrari: Race to Immortality tells the story of the loves and losses, triumphs and tragedy of a turbulent era that shook the motor racing world.

Movie details

Ferrari: Race to Immortality

2017 Documentary 1h 32m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

The late 1950s were known as golden years in the world of motor racing, champions were made and lost on a Sunday, and no losses were greater than those of Enzo Ferrari’s Scuderia. Based on Chris Nixon’s bestselling biography Mon Ami Mate, Ferrari: Race to Immortality tells the story of the loves and losses, triumphs and tragedy of a turbulent era that shook the motor racing world.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ferrari: Race to Immortality?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Daryl Goodrich

Written by

Rupert Bush

Mike Hawthorn

Mike Hawthorn

Self (archive footage)

Peter Collins

Peter Collins

Self (archive footage)

E

Enzo Ferrari

Self (archive footage)

Stirling Moss

Stirling Moss

Self (archive footage)

Tony Brooks

Tony Brooks

Self

Doug Nye

Doug Nye

Self

Richard Williams

Richard Williams

Self

Court is in session

Put Ferrari: Race to Immortality on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.