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Scooby-Doo! Curse of the Lake Monster

Scooby-Doo! Curse of the Lake Monster

Mystery · Fantasy · Comedy · 2010

Scooby-Doo and the gang are on the case when a mysterious lake monster starts scaring the guests at a summer resort in Erie Point, where Fred, Daphne, Velma and Shaggy have taken on seasonal jobs to pay for a barn they accidentally burned down. But in addition to sneaking suspicions, there's some romance in the air.

Movie details

Scooby-Doo! Curse of the Lake Monster

“Ruh-Roh! They're in too deep and way over their heads!”

2010 Mystery · Fantasy · Comedy 1h 20m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Scooby-Doo and the gang are on the case when a mysterious lake monster starts scaring the guests at a summer resort in Erie Point, where Fred, Daphne, Velma and Shaggy have taken on seasonal jobs to pay for a barn they accidentally burned down. But in addition to sneaking suspicions, there's some romance in the air.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Scooby-Doo! Curse of the Lake Monster?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Brian Levant

Written by

Daniel Altiere · Steven Altiere

Nick Palatas

Nick Palatas

Shaggy

Frank Welker

Frank Welker

Scooby-Doo (voice)

Kate Melton

Kate Melton

Daphne

Hayley Kiyoko

Hayley Kiyoko

Velma

Robbie Amell

Robbie Amell

Fred

Marion Ross

Marion Ross

Hilda Trowburg

Beverly Sanders

Beverly Sanders

Wanda Grubworth

Court is in session

Put Scooby-Doo! Curse of the Lake Monster on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.