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The Blood of Wolves

The Blood of Wolves

Crime · Thriller · Drama · 2018

Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.

Movie details

The Blood of Wolves

2018 Crime · Thriller · Drama 2h 6m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Blood of Wolves?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Kazuya Shiraishi

Written by

Junya Ikegami

Koji Yakusho

Koji Yakusho

Shogo Ogami

Tori Matsuzaka

Tori Matsuzaka

Shuichi Hioka

Yoko Maki

Yoko Maki

Rikako Takagi

Kenichi Takitoh

Kenichi Takitoh

Daisuke Saga

Takuma Otoo

Takuma Otoo

Shigeru Yoshida

Joey Iwanaga

Joey Iwanaga

Daiki Zenda

Junko Abe

Junko Abe

Momoko Okada

Court is in session

Put The Blood of Wolves on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.