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Masculin Féminin

Masculin Féminin

Drama · Romance · 1966

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

Movie details

Masculin Féminin

“Jean-Luc Godard's Swinging Look at Youth and Love in Paris Today!”

1966 Drama · Romance 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Masculin Féminin?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jean-Luc Godard

Written by

Jean-Luc Godard

Jean-Pierre Léaud

Jean-Pierre Léaud

Paul

Chantal Goya

Chantal Goya

Madeleine Zimmer

Marlène Jobert

Marlène Jobert

Élisabeth Choquet

M

Michel Debord

Robert Packard

Catherine-Isabelle Duport

Catherine-Isabelle Duport

Catherine-Isabelle

Evabritt Strandberg

Evabritt Strandberg

She (Woman in the Film)

Birger Malmsten

Birger Malmsten

He (Man in the Film)

Court is in session

Put Masculin Féminin on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.