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I Can Only Imagine

I Can Only Imagine

Music · Drama · 2018

Growing up in Greenville, Texas, Bart Millard suffers physical and emotional abuse at the hands of his father, Arthur. When Arthur becomes terminally ill, he finds redemption by embracing his faith and rediscovering his love for his son. Years later, Bart's troubled childhood and mended relationship with his dad inspires him to write the hit song "I Can Only Imagine" as singer of the Christian band MercyMe.

Movie details

I Can Only Imagine

“The song you know. The story you don't.”

2018 Music · Drama 1h 50m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Growing up in Greenville, Texas, Bart Millard suffers physical and emotional abuse at the hands of his father, Arthur. When Arthur becomes terminally ill, he finds redemption by embracing his faith and rediscovering his love for his son. Years later, Bart's troubled childhood and mended relationship with his dad inspires him to write the hit song "I Can Only Imagine" as singer of the Christian band MercyMe.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over I Can Only Imagine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jon Erwin · Andrew Erwin

Written by

Alex Cramer · Jon Erwin · Brent McCorkle

J. Michael Finley

J. Michael Finley

Bart Millard

Madeline Carroll

Madeline Carroll

Shannon

Dennis Quaid

Dennis Quaid

Arthur

Trace Adkins

Trace Adkins

Brickell

Cloris Leachman

Cloris Leachman

Memaw

Jason Burkey

Jason Burkey

Mike

Mark Furze

Mark Furze

Nathan

Court is in session

Put I Can Only Imagine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.