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Carrington

Carrington

History · Drama · Romance · 1995

Painter Dora Carrington develops an intimate but extremely complex bond with writer Lytton Strachey. Though Lytton is a homosexual, he is enchanted by the mysterious Dora and they begin a lifelong friendship that has strangely romantic undertones. Eventually, Lytton and Dora decide to live together, despite the fact that the latter has fallen in love with military man Ralph Partridge, whom she plans to marry.

Movie details

Carrington

“A love story so unusual it has to be true.”

1995 History · Drama · Romance 2h 1m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Painter Dora Carrington develops an intimate but extremely complex bond with writer Lytton Strachey. Though Lytton is a homosexual, he is enchanted by the mysterious Dora and they begin a lifelong friendship that has strangely romantic undertones. Eventually, Lytton and Dora decide to live together, despite the fact that the latter has fallen in love with military man Ralph Partridge, whom she plans to marry.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Carrington?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Christopher Hampton

Written by

Christopher Hampton

Emma Thompson

Emma Thompson

Dora Carrington

Jonathan Pryce

Jonathan Pryce

Lytton Strachey

Steven Waddington

Steven Waddington

Ralph Partridge

Samuel West

Samuel West

Gerald Brenan

Rufus Sewell

Rufus Sewell

Mark Gertler

Penelope Wilton

Penelope Wilton

Lady Ottoline Morrell

Janet McTeer

Janet McTeer

Vanessa Bell

Court is in session

Put Carrington on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.