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Hilary and Jackie

Hilary and Jackie

Drama · Music · 1998

The tragic story of world-renowned cellist Jacqueline du Pré, as told from the point of view of her sister, flautist Hilary du Pré-Finzi.

Movie details

Hilary and Jackie

“The true story of two sisters who shared a passion, a madness, and a man.”

1998 Drama · Music 2h 1m

Critical arithmetic

The consensus, allegedly.

IMDb

7.3 / 10

11K votes

Rotten Tomatoes

88 %

Tomatometer

Metacritic

78 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

The tragic story of world-renowned cellist Jacqueline du Pré, as told from the point of view of her sister, flautist Hilary du Pré-Finzi.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Hilary and Jackie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Anand Tucker

Written by

Frank Cottrell Boyce

Emily Watson

Emily Watson

Jackie du Pré

Rachel Griffiths

Rachel Griffiths

Hilary du Pré

James Frain

James Frain

Daniel Barenboim

David Morrissey

David Morrissey

Kiffer Finzi

Charles Dance

Charles Dance

Derek du Pré

Celia Imrie

Celia Imrie

Iris du Pré

Rupert Penry-Jones

Rupert Penry-Jones

Piers du Pré

Court is in session

Put Hilary and Jackie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.