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Family

Family

Comedy · 2018

Kate Stone is career-focused with a brash attitude that keeps relationships at an arm's length. When her estranged brother calls asking her to baby-sit her tween niece Maddie, Kate reluctantly agrees to help. But baby-sitting overnight unexpectedly turns into a week, and Kate's life spins into chaos. As Maddie reveals stories of being bullied and of wanting to run away and be a Juggalo, the two form a unique bond.

Movie details

Family

2018 Comedy 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Kate Stone is career-focused with a brash attitude that keeps relationships at an arm's length. When her estranged brother calls asking her to baby-sit her tween niece Maddie, Kate reluctantly agrees to help. But baby-sitting overnight unexpectedly turns into a week, and Kate's life spins into chaos. As Maddie reveals stories of being bullied and of wanting to run away and be a Juggalo, the two form a unique bond.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Family?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Over Your Dead Body

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Where it lives

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Names above the title

The people responsible.

Directed by

Laura Steinel

Written by

Laura Steinel

Taylor Schilling

Taylor Schilling

Kate

Brian Tyree Henry

Brian Tyree Henry

Pete

Bryn Vale

Bryn Vale

Maddie

Allison Tolman

Allison Tolman

Cheryl

Fabrizio Guido

Fabrizio Guido

Dennis

Kate McKinnon

Kate McKinnon

Jill

Peter Horton

Peter Horton

Charlie

Court is in session

Put Family on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Big-Idea Head

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.