“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Retribution
Thriller · Horror · Mystery · 2007
A detective investigates a series of murders. A possible serial killer might be on a rampage, since the crimes are in the same vicinity, by the same method. However, as evidence points towards the detective, a ghost in red follows him, and he begins questioning his identity. His realization of what seems to be reality results in something far larger and more sinister.
Retribution
“The ghosts of the past always come back.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
A detective investigates a series of murders. A possible serial killer might be on a rampage, since the crimes are in the same vicinity, by the same method. However, as evidence points towards the detective, a ghost in red follows him, and he begins questioning his identity. His realization of what seems to be reality results in something far larger and more sinister.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Retribution?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Kiyoshi Kurosawa
Written by
Kiyoshi Kurosawa
Put Retribution on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






