The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Oh, Hello on Broadway
Comedy · TV Movie · 2017
Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.
Movie details
Oh, Hello on Broadway
2017 Comedy · TV Movie 1h 42m
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
7.7 / 10
3.6K votes
Rotten Tomatoes
88 %
Tomatometer
TMDB
6.9 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Two delusional geriatrics reveal curious pasts, share a love of tuna and welcome a surprise guest in this filming of the popular Broadway comedy show.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Oh, Hello on Broadway?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Michael John Warren
Written by
Nick Kroll · John Mulaney
Nick Kroll
Gil Faizon
John Mulaney
George St. Geegland
Steve Martin
Self
Matthew Broderick
Self (uncredited)
Court is in session
Put Oh, Hello on Broadway on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.