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Michael Clayton

Michael Clayton

Drama · Thriller · Crime · 2007

A law firm brings in its "fixer" to remedy the situation after a lawyer has a breakdown while representing a chemical company that he knows is guilty in a multi-billion dollar class action suit.

Movie details

Michael Clayton

“The truth can be adjusted.”

2007 Drama · Thriller · Crime 2h 0m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A law firm brings in its "fixer" to remedy the situation after a lawyer has a breakdown while representing a chemical company that he knows is guilty in a multi-billion dollar class action suit.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Michael Clayton?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm's frontman – has a heart attack, Israel suddenly takes on that role. He soon discovers some unsettling truths about the firm – truths that conflict with his values of helping the poor and dispossessed – and finds himself in an existential crisis that leads to extreme actions.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tony Gilroy

Written by

Tony Gilroy

George Clooney

George Clooney

Michael Clayton

Tom Wilkinson

Tom Wilkinson

Arthur Edens

Tilda Swinton

Tilda Swinton

Karen Crowder

Sydney Pollack

Sydney Pollack

Marty Bach

Michael O'Keefe

Michael O'Keefe

Barry Grissom

Ken Howard

Ken Howard

Don Jeffries

Sean Cullen

Sean Cullen

Gene Clayton

Court is in session

Put Michael Clayton on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.