“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The Housemaid
Thriller · Drama · 2010
Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.
The Housemaid
“When Opportunity Knocks, Answer at Your Own Risk.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Eun-yi is hired as a maid in a mansion owned by a wealthy businessman. He quickly starts seducing his employee who seemingly has little choice but to comply with his sexual advances. Soon the women of the family plot against Eun-yi who must fight an equally devious battle to protect herself.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Housemaid?
The Arthouse Gremlin
“The stranger, the better.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Im Sang-soo
Written by
Im Sang-soo
Put The Housemaid on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






