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30 Days of Night

30 Days of Night

Horror · Thriller · 2007

This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.

Movie details

30 Days of Night

“They're Coming!”

2007 Horror · Thriller 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 30 Days of Night?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Slade

Written by

Brian Nelson · Stuart Beattie · Steve Niles

Josh Hartnett

Josh Hartnett

Eben Oleson

Melissa George

Melissa George

Stella Oleson

Danny Huston

Danny Huston

Marlow

Ben Foster

Ben Foster

The Stranger

Mark Boone Junior

Mark Boone Junior

Beau Brower

Mark Rendall

Mark Rendall

Jake Oleson

Amber Sainsbury

Amber Sainsbury

Denise

Court is in session

Put 30 Days of Night on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.