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Washington Square

Washington Square

Drama · Romance · 1997

In 1870s New York, spinster heiress Catherine Sloper is courted by the much younger, penniless Morris Townsend, much to the chagrin of her overprotective father. Catherine must decide whether to spend the rest of her life alone, or marry a man interested in her solely for her inheritence.

Movie details

Washington Square

“She must choose between her father's fortune... Or the man she loves.”

1997 Drama · Romance 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In 1870s New York, spinster heiress Catherine Sloper is courted by the much younger, penniless Morris Townsend, much to the chagrin of her overprotective father. Catherine must decide whether to spend the rest of her life alone, or marry a man interested in her solely for her inheritence.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Washington Square?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Agnieszka Holland

Written by

Carol Doyle

Jennifer Jason Leigh

Jennifer Jason Leigh

Catherine Sloper

Albert Finney

Albert Finney

Dr. Austin Sloper

Maggie Smith

Maggie Smith

Aunt Lavinia Penniman

Ben Chaplin

Ben Chaplin

Morris Townsend

Judith Ivey

Judith Ivey

Aunt Elizabeth Almond

A

Arthur Laupus

Mr. Almond

Jennifer Garner

Jennifer Garner

Marian Almond

Court is in session

Put Washington Square on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.