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The King Is Dancing

The King Is Dancing

Drama · History · Music · 2000

Louis XIV, the French sun-king has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer

Movie details

The King Is Dancing

2000 Drama · History · Music 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Louis XIV, the French sun-king has two passions, establishing absolute rule over the realm -after decades of religious/civil wars- by divine right and artistic brilliancy as a dancer

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The King Is Dancing?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gérard Corbiau

Written by

Didier Decoin · Gérard Corbiau · Andrée Corbiau · Ève de Castro

Benoît Magimel

Benoît Magimel

Louis XIV

Boris Terral

Boris Terral

Jean-Baptiste Lully

Tchéky Karyo

Tchéky Karyo

Molière

Colette Emmanuelle

Colette Emmanuelle

Anne d'Autriche

Cécile Bois

Cécile Bois

Madeleine

Claire Keim

Claire Keim

Julie

Johan Leysen

Johan Leysen

Cambert

Court is in session

Put The King Is Dancing on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.