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The Return of Martin Guerre

The Return of Martin Guerre

Drama · History · 1982

Village of Artigat, southern France, summer 1542, during the reign of Francis I. Martin Guerre and Bertrande de Rols marry. A few years later, accused of having committed a robbery, Martin suddenly disappears. When, almost a decade later, a man arrives in Artigat claiming to be Martin, the Guerre family recognizes him as such; but doubts soon arise about his true identity.

Movie details

The Return of Martin Guerre

“Truth and falsehood have both alike countenances...”

1982 Drama · History 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Village of Artigat, southern France, summer 1542, during the reign of Francis I. Martin Guerre and Bertrande de Rols marry. A few years later, accused of having committed a robbery, Martin suddenly disappears. When, almost a decade later, a man arrives in Artigat claiming to be Martin, the Guerre family recognizes him as such; but doubts soon arise about his true identity.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Return of Martin Guerre?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Daniel Vigne

Written by

Jean-Claude Carrière · Daniel Vigne

Gérard Depardieu

Gérard Depardieu

Arnaud du Tilh

Nathalie Baye

Nathalie Baye

Bertrande de Rols

Maurice Barrier

Maurice Barrier

Pierre Guerre

Bernard-Pierre Donnadieu

Bernard-Pierre Donnadieu

Martin Guerre

Isabelle Sadoyan

Isabelle Sadoyan

Catherine Boëre

Rose Thiéry

Rose Thiéry

Raimonde de Rols

Chantal Deruaz

Chantal Deruaz

Jeanne

Court is in session

Put The Return of Martin Guerre on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.