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All the Money in the World

All the Money in the World

Crime · History · Thriller · 2017

The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.

Movie details

All the Money in the World

“J. Paul Getty had a fortune. Everyone else paid the price.”

2017 Crime · History · Thriller 2h 12m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All the Money in the World?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Godfather

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GoodFellas

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The Informer

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Blood Ties

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A Walk Among the Tombstones

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Wardriver

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He’s a Wardriver: a hacker who steals from banks, not people—until he’s noticed. Now the money turns violent, and the woman caught in it could save him or kill them both.

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Names above the title

The people responsible.

Directed by

Ridley Scott

Written by

David Scarpa

Michelle Williams

Michelle Williams

Gail Harris

Mark Wahlberg

Mark Wahlberg

Fletcher Chase

Christopher Plummer

Christopher Plummer

Jean Paul Getty

Charlie Plummer

Charlie Plummer

John Paul Getty III

Romain Duris

Romain Duris

Cinquanta

Timothy Hutton

Timothy Hutton

Oswald Hinge

Charlie Shotwell

Charlie Shotwell

John Paul Getty III (Age 7)

Court is in session

Put All the Money in the World on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.