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The Holy Girl

The Holy Girl

Drama · 2004

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

Movie details

The Holy Girl

“She is both temptation and salvation.”

2004 Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Holy Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lucrecia Martel

Written by

Lucrecia Martel

María Alché

María Alché

Amalia

Mercedes Morán

Mercedes Morán

Helena

Julieta Zylberberg

Julieta Zylberberg

Josefina

Carlos Belloso

Carlos Belloso

Dr. Jano

Alejandro Urdapilleta

Alejandro Urdapilleta

Freddy

Mía Maestro

Mía Maestro

Inés

Marta Lubos

Marta Lubos

Mirta

Court is in session

Put The Holy Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.