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The Informer

The Informer

Crime · Drama · 1935

Gypo Nolan is a former Irish Republican Army man who drowns his sorrows in the bottle. He's desperate to escape his bleak Dublin life and start over in America with his girlfriend. So when British authorities advertise a reward for information about his best friend, current IRA member Frankie, Gypo cooperates. Now Gypo can buy two tickets on a boat bound for the States, but can he escape the overwhelming guilt he feels for betraying his buddy?

Movie details

The Informer

1935 Crime · Drama 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Gypo Nolan is a former Irish Republican Army man who drowns his sorrows in the bottle. He's desperate to escape his bleak Dublin life and start over in America with his girlfriend. So when British authorities advertise a reward for information about his best friend, current IRA member Frankie, Gypo cooperates. Now Gypo can buy two tickets on a boat bound for the States, but can he escape the overwhelming guilt he feels for betraying his buddy?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Informer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Ford

Written by

Dudley Nichols

Victor McLaglen

Victor McLaglen

Gypo Nolan

Heather Angel

Heather Angel

Mary McPhillip

Preston Foster

Preston Foster

Dan Gallagher

Margot Grahame

Margot Grahame

Katie Madden

Wallace Ford

Wallace Ford

Frankie McPhillip

Una O'Connor

Una O'Connor

Mrs. McPhillip

J.M. Kerrigan

J.M. Kerrigan

Terry

Court is in session

Put The Informer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.