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Roswell

Roswell

Science Fiction · TV Movie · 1994

Based on the book "UFO Crash at Roswell" by Kevin Randle and Donald Schmitt, Roswell follows the attempts of Major Jesse Marcel to discover the truth about strange debris found on a local rancher's field in July of 1947. Told by his superiors that what he has found is nothing more than a downed weather balloon, Marcel maintains his military duty until the weight of the truth, however out of this world it may be, forces him to piece together what really occurred.

Movie details

Roswell

“The Pentagon denied it was a UFO. But one man knew better, because he was there.”

1994 Science Fiction · TV Movie 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Based on the book "UFO Crash at Roswell" by Kevin Randle and Donald Schmitt, Roswell follows the attempts of Major Jesse Marcel to discover the truth about strange debris found on a local rancher's field in July of 1947. Told by his superiors that what he has found is nothing more than a downed weather balloon, Marcel maintains his military duty until the weight of the truth, however out of this world it may be, forces him to piece together what really occurred.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Roswell?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jeremy Kagan

Written by

Arthur Kopit

Kyle MacLachlan

Kyle MacLachlan

Jesse Marcel

Martin Sheen

Martin Sheen

Townsend

Dwight Yoakam

Dwight Yoakam

Mac Brazel

Xander Berkeley

Xander Berkeley

Sherman Carson

Bob Gunton

Bob Gunton

Frank Joyce

Kim Greist

Kim Greist

Vy Marcel

Peter MacNicol

Peter MacNicol

Lewis Rickett

Court is in session

Put Roswell on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.