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Picnic on the Grass

Picnic on the Grass

Romance · Comedy · 1959

New Europe presidential candidate Etienne Alexis is a scientist promoting artificial insemination for social betterment and therapy to eliminate passion. To celebrate his engagement to a cousin, he hosts an aseptic picnic, where Mother Nature asserts herself. A shepherd's flute conjures a windstorm throwing Alexis together with the luscious Nénette, a farm lass who, although unimpressed with men, wants to have a baby.

Movie details

Picnic on the Grass

1959 Romance · Comedy 1h 31m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

New Europe presidential candidate Etienne Alexis is a scientist promoting artificial insemination for social betterment and therapy to eliminate passion. To celebrate his engagement to a cousin, he hosts an aseptic picnic, where Mother Nature asserts herself. A shepherd's flute conjures a windstorm throwing Alexis together with the luscious Nénette, a farm lass who, although unimpressed with men, wants to have a baby.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Picnic on the Grass?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jean Renoir

Written by

Jean Renoir

Paul Meurisse

Paul Meurisse

Étienne Alexis, célèbre biologiste

Catherine Rouvel

Catherine Rouvel

Antoinette dite :Nénette

Jacqueline Morane

Jacqueline Morane

Titine

Fernand Sardou

Fernand Sardou

Nino, le père de Nénette

Jean-Pierre Granval

Jean-Pierre Granval

Ritou

Hélène Duc

Hélène Duc

Isabelle, la secrétaire du biologiste

I

Ingrid Nordine

la comtesse Marie-Charlotte

Court is in session

Put Picnic on the Grass on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.