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Young Black Stallion

Young Black Stallion

Adventure · Drama · Family · 2003

When courageous young Neera becomes separated from her family in the desert, she chances upon a wild colt. Together they find friendship, trust, and their way back home only to discover her family is about to lose everything!

Movie details

Young Black Stallion

“The greatest story of friendship ever told.”

2003 Adventure · Drama · Family 49m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

When courageous young Neera becomes separated from her family in the desert, she chances upon a wild colt. Together they find friendship, trust, and their way back home only to discover her family is about to lose everything!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Young Black Stallion?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Call of the Wild

The Call of the Wild

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The Jungle Book

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The Jungle Book

The Jungle Book

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The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.

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Names above the title

The people responsible.

Directed by

Simon Wincer

Written by

Jeanne Rosenberg

Biana Tamimi

Biana Tamimi

Neera

Richard Romanus

Richard Romanus

Ben Ishak

Patrick Elias

Patrick Elias

Aden

Gérard Rudolf

Gérard Rudolf

Rhamon

A

Ali Al Ameri

Mansoor

A

Andries Rossouw

Kadir

Court is in session

Put Young Black Stallion on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.