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Jonathan

Jonathan

Drama · Science Fiction · 2018

Jonathan is a young man with a strange condition that only his brother understands. But when he begins to yearn for a different life, their unique bond becomes increasingly tested.

Movie details

Jonathan

2018 Drama · Science Fiction 1h 41m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Jonathan is a young man with a strange condition that only his brother understands. But when he begins to yearn for a different life, their unique bond becomes increasingly tested.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Jonathan?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Doctor Who: Last Christmas

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2073

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A reporter, fired after refusing to give names to a 1951 House Un-American Activities Committee, takes a part-time job as companion to an old lady. While working she overhears a noisy argument in the neighboring house, being conducted largely in German and involving her HUAC prosecutor. She begins to investigate, enlisting the help of the FBI Agent initially detailed to surveil her.

Where it lives

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Names above the title

The people responsible.

Directed by

Bill Oliver

Written by

Peter Nickowitz · Gregory Davis · Bill Oliver

Suki Waterhouse

Suki Waterhouse

Elena

Ansel Elgort

Ansel Elgort

Jonathan / John

Patricia Clarkson

Patricia Clarkson

Dr. Mina Nariman

Joe Egender

Joe Egender

Myles

Douglas Hodge

Douglas Hodge

Hans Lieber

Matt Bomer

Matt Bomer

Ross Crane

Souléymane Sy Savané

Souléymane Sy Savané

Sembene

Court is in session

Put Jonathan on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.