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Dreamchild

Dreamchild

Drama · Fantasy · 1985

80-year-old Alice Hargreaves is about to visit Columbia University to attend a reception in honour of author Lewis Carroll. As a child, Alice's close friendship with the writer was the creative catalyst for Carroll's most beloved work. However, as Alice reflects on her experiences with the author, she slowly realises the complexity of their bond has had lasting, deeply felt ramifications.

Movie details

Dreamchild

“He loved the child we will never forget...”

1985 Drama · Fantasy 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

80-year-old Alice Hargreaves is about to visit Columbia University to attend a reception in honour of author Lewis Carroll. As a child, Alice's close friendship with the writer was the creative catalyst for Carroll's most beloved work. However, as Alice reflects on her experiences with the author, she slowly realises the complexity of their bond has had lasting, deeply felt ramifications.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dreamchild?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gavin Millar

Written by

Dennis Potter

Coral Browne

Coral Browne

Alice Hargreaves

Ian Holm

Ian Holm

Reverend Charles L. Dodgson / Lewis Carroll

Peter Gallagher

Peter Gallagher

Jack Dolan

C

Caris Corfman

Sally Mackeson

Nicola Cowper

Nicola Cowper

Lucy

Jane Asher

Jane Asher

Mrs. Liddell

Amelia Shankley

Amelia Shankley

Little Alice

Court is in session

Put Dreamchild on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.