“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The Princess and the Goblin
Adventure · Animation · Family · 1991
The story is about the Princess Irene and a young warrior boy named Curty. Irene must use her magic power to fight off goblins and save the kingdom.
The Princess and the Goblin
“An enchanting princess, an outrageous goblin, a magical adventure for the entire family!”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.7 / 10
3.2K votes
TMDB
5.8 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
The story is about the Princess Irene and a young warrior boy named Curty. Irene must use her magic power to fight off goblins and save the kingdom.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Princess and the Goblin?
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
József Gémes
Written by
Robin Lyons
Put The Princess and the Goblin on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.





