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The Princess and the Goblin

The Princess and the Goblin

Adventure · Animation · Family · 1991

The story is about the Princess Irene and a young warrior boy named Curty. Irene must use her magic power to fight off goblins and save the kingdom.

Movie details

The Princess and the Goblin

“An enchanting princess, an outrageous goblin, a magical adventure for the entire family!”

1991 Adventure · Animation · Family 1h 22m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

The story is about the Princess Irene and a young warrior boy named Curty. Irene must use her magic power to fight off goblins and save the kingdom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Princess and the Goblin?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

József Gémes

Written by

Robin Lyons

Joss Ackland

Joss Ackland

King Papa (voice)

Claire Bloom

Claire Bloom

Great Great Grandmother Irene (voice)

Roy Kinnear

Roy Kinnear

Mump (voice)

S

Sally Ann Marsh

Princess Irene (voice)

Rik Mayall

Rik Mayall

Prince Froglip (voice)

William Hootkins

William Hootkins

Curdie's Father (voice)

Peggy Mount

Peggy Mount

Goblin Queen (voice)

Court is in session

Put The Princess and the Goblin on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.