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Ingrid Goes West

Ingrid Goes West

Comedy · Drama · 2017

Ingrid becomes obsessed with a social network star named Taylor Sloane who seemingly has a perfect life. But when Ingrid decides to drop everything and move west to be Taylor's friend, her behaviour turns unsettling and dangerous.

Movie details

Ingrid Goes West

“She'll follow you.”

2017 Comedy · Drama 1h 38m

Critical arithmetic

The consensus, allegedly.

IMDb

6.6 / 10

50.5K votes

Rotten Tomatoes

84 %

Tomatometer

Metacritic

71 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Ingrid becomes obsessed with a social network star named Taylor Sloane who seemingly has a perfect life. But when Ingrid decides to drop everything and move west to be Taylor's friend, her behaviour turns unsettling and dangerous.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ingrid Goes West?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

Watch in your region.

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Matt Spicer

Written by

David Branson Smith · Matt Spicer

Aubrey Plaza

Aubrey Plaza

Ingrid Thorburn

Elizabeth Olsen

Elizabeth Olsen

Taylor Sloane

O'Shea Jackson Jr.

O'Shea Jackson Jr.

Dan Pinto

Wyatt Russell

Wyatt Russell

Ezra O'Keefe

Billy Magnussen

Billy Magnussen

Nicky Sloane

Pom Klementieff

Pom Klementieff

Harley Chung

Hannah Pearl Utt

Hannah Pearl Utt

Nicole

Court is in session

Put Ingrid Goes West on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.