“Momentum is a formal choice.”
The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

Return of the Street Fighter
Action · Crime · Drama · 1974
Martial artist Takuma Tsurugi returns to take on a Yakuza family that may be embezzling money from charities to finance their own operations. Both the police and the Yakuza find themselves battling Tsurugi, but Tsurugi's fight ultimately is with the mob, and he concentrates on them.
Return of the Street Fighter
“The incredible Sonny Chiba is back! And he's meaner than ever!”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.3 / 10
2.6K votes
TMDB
6.1 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Martial artist Takuma Tsurugi returns to take on a Yakuza family that may be embezzling money from charities to finance their own operations. Both the police and the Yakuza find themselves battling Tsurugi, but Tsurugi's fight ultimately is with the mob, and he concentrates on them.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Return of the Street Fighter?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Shigehiro Ozawa
Written by
Hajime Takaiwa · Shigehiro Ozawa
Put Return of the Street Fighter on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Speed as an alibi.”
The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.




