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Doppelgänger

Doppelgänger

Science Fiction · 1969

A planet is discovered in the same orbit as Earth's but is located on the exact opposite side of the sun, making it not visible from Earth. The European Space Exploration Council decide to send American astronaut Glenn Ross and British scientist John Kane via spaceship to explore the other planet.

Movie details

Doppelgänger

“You will meet yourself face-to-face when Earth meets its duplicate in outer space!”

1969 Science Fiction 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A planet is discovered in the same orbit as Earth's but is located on the exact opposite side of the sun, making it not visible from Earth. The European Space Exploration Council decide to send American astronaut Glenn Ross and British scientist John Kane via spaceship to explore the other planet.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Doppelgänger?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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2010

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Forbidden Planet

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Sci-fi · 1956

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The Adam Project

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Names above the title

The people responsible.

Directed by

Robert Parrish

Written by

Sylvia Anderson · Donald James · Gerry Anderson

Roy Thinnes

Roy Thinnes

Colonel Glenn Ross

Ian Hendry

Ian Hendry

John Kane

Patrick Wymark

Patrick Wymark

Jason Webb

Lynn Loring

Lynn Loring

Sharon Ross

Loni von Friedl

Loni von Friedl

Lisa Hartmann

F

Franco De Rosa

Paulo Landi

George Sewell

George Sewell

Mark Neuman

Court is in session

Put Doppelgänger on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.