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Rudolph and Frosty's Christmas in July

Rudolph and Frosty's Christmas in July

Animation · Fantasy · Family · 1979

Winterbolt is trying to make the North Pole his evil wonderland, and it is up to Frosty the Snowman, Rudolph the Red-Nosed Reindeer and others to stop him.

Movie details

Rudolph and Frosty's Christmas in July

“A magical, musical fun-filled fantasy!”

1979 Animation · Fantasy · Family 1h 37m

Critical arithmetic

The consensus, allegedly.

IMDb

6.3 / 10

2.9K votes

Rotten Tomatoes

14 %

Tomatometer

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Winterbolt is trying to make the North Pole his evil wonderland, and it is up to Frosty the Snowman, Rudolph the Red-Nosed Reindeer and others to stop him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rudolph and Frosty's Christmas in July?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jules Bass · Arthur Rankin, Jr.

Written by

Romeo Muller

Red Buttons

Red Buttons

Milton (voice)

Ethel Merman

Ethel Merman

Lilly Loraine (voice)

Mickey Rooney

Mickey Rooney

Santa Claus (voice)

Alan Sues

Alan Sues

Scratcher, the Jealous Reindeer (voice)

Jackie Vernon

Jackie Vernon

Frosty (voice)

Shelley Winters

Shelley Winters

Crystal (voice)

Paul Frees

Paul Frees

Winterbolt / Jack Frost / Policeman (voice)

Court is in session

Put Rudolph and Frosty's Christmas in July on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.