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Anon

Anon

Science Fiction · Crime · Mystery · 2018

Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as 'The Girl', Sal must find her before he becomes the next victim.

Movie details

Anon

“Anonymity is the enemy”

2018 Science Fiction · Crime · Mystery 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as 'The Girl', Sal must find her before he becomes the next victim.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Anon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Andrew Niccol

Written by

Andrew Niccol

Clive Owen

Clive Owen

Sal Frieland

Amanda Seyfried

Amanda Seyfried

The Girl

Colm Feore

Colm Feore

Charles Gattis

Mark O'Brien

Mark O'Brien

Cyrus Frear

Sonya Walger

Sonya Walger

Kristen

Joe Pingue

Joe Pingue

Lester Goodman

Iddo Goldberg

Iddo Goldberg

Joseph Kenik

Court is in session

Put Anon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Cool Ironist

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.