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The New Life of Paul Sneijder

The New Life of Paul Sneijder

Drama · 2016

Following a rare accident, Paul Sneijder opened his eyes to the reality of his life as a "senior manager" in Montreal: his work no longer interested him, his wife annoyed him and deceived him, his two sons despised him ... How can we continue to live under these conditions? Starting with a change of profession: dog walker for example! Will his relatives accept this change that will turn him into a free man?

Movie details

The New Life of Paul Sneijder

2016 Drama 1h 54m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Following a rare accident, Paul Sneijder opened his eyes to the reality of his life as a "senior manager" in Montreal: his work no longer interested him, his wife annoyed him and deceived him, his two sons despised him ... How can we continue to live under these conditions? Starting with a change of profession: dog walker for example! Will his relatives accept this change that will turn him into a free man?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The New Life of Paul Sneijder?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Thomas Vincent

Written by

Thomas Vincent

Thierry Lhermitte

Thierry Lhermitte

Paul Sneijder

Géraldine Pailhas

Géraldine Pailhas

Anna Sneijder

Guillaume Cyr

Guillaume Cyr

Benoit Charistéas

Pierre Curzi

Pierre Curzi

Maître Wagner-Leblond

Gabriel Sabourin

Gabriel Sabourin

Maître Cudmore

Hugo Dubé

Hugo Dubé

Bréguet

Aliocha Schneider

Aliocha Schneider

Hugo Sneijder

Court is in session

Put The New Life of Paul Sneijder on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.