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Fate/stay night: Heaven's Feel III. Spring Song

Fate/stay night: Heaven's Feel III. Spring Song

Animation · Romance · Fantasy · 2020

The battle rages on as Shirou continues to protect Sakura, now consumed by the darkness. He joins forces with Rin to end the Holy Grail War, while Illyasviel, who knows the truth behind it, confronts her fate. Amidst the chaos, Zouken plots to manipulate Sakura for his own desires. The final fight begins.

Movie details

Fate/stay night: Heaven's Feel III. Spring Song

“We fight to end this fate.”

2020 Animation · Romance · Fantasy 2h 0m

Critical arithmetic

One number, for now.

TMDB

7.7 / 10

Community rating

The battle rages on as Shirou continues to protect Sakura, now consumed by the darkness. He joins forces with Rin to end the Holy Grail War, while Illyasviel, who knows the truth behind it, confronts her fate. Amidst the chaos, Zouken plots to manipulate Sakura for his own desires. The final fight begins.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fate/stay night: Heaven's Feel III. Spring Song?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tomonori Sudo

Written by

Akira Hiyama

Noriaki Sugiyama

Noriaki Sugiyama

Shirou Emiya (voice)

Noriko Shitaya

Noriko Shitaya

Sakura Matou (voice)

Ayako Kawasumi

Ayako Kawasumi

Saber Alter (voice)

Kana Ueda

Kana Ueda

Rin Tohsaka (voice)

Mai Kadowaki

Mai Kadowaki

Illyasviel von Einzbern (voice)

Miki Ito

Miki Ito

Taiga Fujimura (voice)

Jouji Nakata

Jouji Nakata

Kirei Kotomine (voice)

Court is in session

Put Fate/stay night: Heaven's Feel III. Spring Song on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.