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The Beautiful Person

The Beautiful Person

Drama · Comedy · 2008

In the wake of her mother's tragic death, French teenager Junie transfers to a different high school. Though Junie lives mostly inside her own head, her beauty and stoicism win her the attention of the entire male student population. Junie begins dating the gentle Otto Cleves, but finds herself intensely drawn to her youthful Italian language teacher, Nemours. When Nemours begins to reciprocate, serious complications ensue.

Movie details

The Beautiful Person

2008 Drama · Comedy 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

In the wake of her mother's tragic death, French teenager Junie transfers to a different high school. Though Junie lives mostly inside her own head, her beauty and stoicism win her the attention of the entire male student population. Junie begins dating the gentle Otto Cleves, but finds herself intensely drawn to her youthful Italian language teacher, Nemours. When Nemours begins to reciprocate, serious complications ensue.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Beautiful Person?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Educating Rita

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Names above the title

The people responsible.

Directed by

Christophe Honoré

Written by

Christophe Honoré · Gilles Taurand

Léa Seydoux

Léa Seydoux

Junie

Louis Garrel

Louis Garrel

Nemours

Grégoire Leprince-Ringuet

Grégoire Leprince-Ringuet

Otto

S

Simon Truxillo

Henri

Agathe Bonitzer

Agathe Bonitzer

Marie

Jean-Michel Portal

Jean-Michel Portal

Estouteville

Valérie Lang

Valérie Lang

Florence Perrin

Court is in session

Put The Beautiful Person on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.