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Ramona and Beezus

Ramona and Beezus

Comedy · Family · 2010

Ramona is a little girl with a very big imagination and a nose for mischief. Her playful antics keep everyone in her loving family on their toes, including her older sister Beezus, who's just trying to survive her first year of high school. Through all the ups and downs of childhood, Ramona and Beezus learn that anything's possible when you believe in yourself and rely on each other.

Movie details

Ramona and Beezus

“A little sister goes a long way.”

2010 Comedy · Family 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Ramona is a little girl with a very big imagination and a nose for mischief. Her playful antics keep everyone in her loving family on their toes, including her older sister Beezus, who's just trying to survive her first year of high school. Through all the ups and downs of childhood, Ramona and Beezus learn that anything's possible when you believe in yourself and rely on each other.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ramona and Beezus?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Elizabeth Allen Rosenbaum

Written by

Laurie Craig · Nick Pustay

Joey King

Joey King

Ramona Quimby

Selena Gomez

Selena Gomez

Beezus Quimby

John Corbett

John Corbett

Robert Quimby

Bridget Moynahan

Bridget Moynahan

Dorothy Quimby

Ginnifer Goodwin

Ginnifer Goodwin

Aunt Bea

Josh Duhamel

Josh Duhamel

Hobart Kemp

Sandra Oh

Sandra Oh

Mrs. Meacham

Court is in session

Put Ramona and Beezus on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.