The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Flesh and the Devil
Drama · Romance · 1926
When lifelong best friends Leo and Ulrich return home after completing their military training, Leo meets the stunning Felicitas at a railway station and is mesmerized by her beauty. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.
Movie details
Flesh and the Devil
“Passion ran like wine in their blood!”
1926 Drama · Romance 1h 52m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.2 / 10
Community rating
When lifelong best friends Leo and Ulrich return home after completing their military training, Leo meets the stunning Felicitas at a railway station and is mesmerized by her beauty. A scandal follows, for which Leo is sent away. Returning home three years later, he discovers that much has changed.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Flesh and the Devil?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Clarence Brown
Written by
Benjamin Glazer · Marian Ainslee
John Gilbert
Leo von Harden
Greta Garbo
Felicitas
Lars Hanson
Ulrich von Eltz
Barbara Kent
Hertha von Eltz
William Orlamond
Uncle Kutowski
George Fawcett
Pastor Voss
Eugenie Besserer
Leo's Mother
Court is in session
Put Flesh and the Devil on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Adrenaline Seeker
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.