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Itinerary of a Spoiled Child

Itinerary of a Spoiled Child

Drama · Adventure · 1988

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

Movie details

Itinerary of a Spoiled Child

1988 Drama · Adventure 2h 15m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Itinerary of a Spoiled Child?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Lelouch

Written by

Claude Lelouch

Jean-Paul Belmondo

Jean-Paul Belmondo

Sam Lion

Richard Anconina

Richard Anconina

Albert Duvivier aka Al, Sam's fired employee

Marie-Sophie L.

Marie-Sophie L.

Victoria, daughter of Sam

Jean-Philippe Chatrier

Jean-Philippe Chatrier

Jean-Philippe Lion, son of Sam

Lio

Lio

Yvette, Sam's first wife

Daniel Gélin

Daniel Gélin

Pierre Duvivier, Albert's father

Béatrice Agenin

Béatrice Agenin

Corinne Lion, Victoria's mother

Court is in session

Put Itinerary of a Spoiled Child on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.